In the late 1950s, Buick embarked on a radical transformation for the 1959 model year, redefining its identity and design philosophy. Departing from the established norms, Buick discarded its traditional model names like Limited, Roadmaster, Century, Super, and Special. This marked a departure from their heritage, including signature elements such as tooth-comb grilles and the iconic VentiPorts, those iconic faux portholes crafted by stylist Ned Nickles. Buick was on a mission to reinvent itself.
This transformation wasn't unique to Buick alone, as all General Motors (GM) cars were given a fresh start in 1959, responding to Chrysler's audacious and finned 1957 lineup. However, Buick distinguished itself with its distinctively swept-back diagonal fins, positioning itself at the forefront of this new design movement. The ostentatious ornamentation of 1958 was cast aside, replaced by more refined and subtly executed accents. The only reminder of the previous year's flamboyance was a toned-down version of the 1958's diamond-tooth grille.
For the 1959 model year, Buick introduced four distinct models under three names, all built on two different wheelbases. At the entry-level was the LeSabre, residing on a 123-inch chassis. The Invicta shared the same wheelbase but came with a larger engine. The Electra featured the larger engine as well, coupled with a 126.3-inch chassis. Topping the range was the Electra 225, named after its overall length in inches, boasting extended proportions for added prestige.
In the engine department, Buick's innovations were not as groundbreaking. The LeSabre was equipped with a 364 cubic inch iteration of Buick's traditional "nailhead" overhead valve V8 engine. The upper three model lines received a new 401 cubic inch engine, an evolution of the 364 engine with slight increases in bore and stroke. Brakes also saw an upgrade, with the front wheels now sporting aluminum drums.
While many praised the aesthetic appeal of the new Buicks, sales fell short of expectations. Buick's deliveries actually declined compared to the recession-ridden year of 1958, a time when the automobile industry was recovering on the whole. Recognizing the need for change, Buick updated the styling for 1960, resulting in a more intricate and elaborate design. While sales did improve, some felt that the original purity had been compromised. Nevertheless, the 1959 Buicks have endured as some of the most captivating and attractive vehicles from that era.
Among the 1959 Buick convertibles, the LeSabre model was the most prevalent, with over 10,000 units sold. However, a rare gem emerged in the form of the Electra 225 droptop – a mere 5,493 were produced. This specific vehicle, finished in a tasteful Wedgewood Blue over Arctic White, is a testament to Buick's commitment to craftsmanship.
This well-maintained car boasts a restored paint finish that exudes charm, while the interior remarkably retains its original form, showing exceptional preservation. The tonneau cover displays some age-related staining, a reminder of the car's history. The convertible top mechanism is fully operational, although during inspection, a minor issue with the passenger front window was noted. During road tests, the car showcased its reliability, starting promptly and performing admirably on the open road.
The 1959 Buick Electra 225 convertible serves as a striking example of Buick's bold reinvention and its enduring impact on the automotive landscape. With its unique blend of design, engineering, and history, this car stands as a testament to an era of innovation and transformation in the American automobile industry.